Friday, January 21, 2011

Pic Of Poeple With Hiv

in Italy

Dear friends of the Bansuri

Greetings to all from Varanasi on the banks of the Ganges

I'm trying to invite the great master Pandit Hariprasad Chaurasia
to visit us this spring.

is to repeat the experience of 2006-2007 Pedrollo at the Conservatory of Vicenza.

4 classes and a final concert with the greatest flutist of Indian classical music of all time.

I'll see the Master next week in Mumbai on the occasion of the international meeting dedicated to the Bansuri.

before having to submit to Master projects with feet of clay, I have to get the answers you safer
students.

The Master has an advanced age of 72 years, and rightly so his needs and his greatest fame are expensive, so also the travel and stay.
I can not expect to come back to us for the discounted amount that agreed in the past or that the Academy is able to meet all the costs (we all know the sad situation of the Italian school)

How many of you would be willing to pay € 100 for 4 lessons? This

more sure of some substantial donation,
I put in a position to take the project forward with momentum and with confidence.
Without your full support, we can not do, consider that he would not be able to do these movements for a long time.


Do not miss this rare opportunity to write more soon
hello Good Music

Lorenzo Squillari

Sunday, January 16, 2011

Where Is My Pse Organiser

Letters 2011





Hello Lorenzo
now I found a place with free internet and I I'm watching videos and studying a bit Chaurasia 'theory. helps me so much watching as playing.
the Sun is always better, but still sound and improvisational feeling and something is coming out. I start to get familiar with the intervals and ear improves. I do not follow any melody or text perticolare 'cause even the concentration does not last long and the fingers intersect if I start to think about the note to be played.
but if I play by ear free to go pretty well. I find that I like sequences and try to repeat and shuffle slowly and the people around me do not complain and even encourage. to continue. it is also about finding a balance between sound and silence, after all



soon
Om



Hello Lorenzo!
how are you? How's life on Langka? (It sounds almost Indian)
is a piece that no one sees and does not feel the last time in Vicenza was a meeting
lightning, then I tried at the end of the presentation but were
gone!
renew the desire and the desire to meet you once, but clearly where
might be able to play together at least an hour .. I'm practicing a lot with
bansuri and I must say I am very happy, very rewarding
(personal), something fire, Indian music is shaping me and I feel much more clearly
scroll and began to understand its function, certainly the most
I think I have taken the step on the road that shows you how difficult that
road is long and steep, but at least now I see! and it seems to
Sometimes when you follow and how should I refer to the practice, ie
and at least 2-3 hours everyday ... that releases some sweet, sweet
that something that makes you say "yes, that is really worth to go!
let me know if you encounter a few or go somewhere or do some
concert cerkerò venire.sto to undertake to meet
greetings



Dear Lorenzo, I hope the new year started in the best way for you and your family.
I am writing to ask you a favor, or if I can build a bansuri derived from a human femur.
Of course I realize the strangeness of the request but ultimamerte my research and my musical studies concern on 'esotericism, the' occult and, in general over all that is called parapsychology. These interests are cultivated by a life and have had strong boost from the study of Indology and, above all, from what I've taught with the bansuri and the precise way connettre the sound of this instrument with the "fine spirits". The strumerto I ask you to fasten idealmerte Tibetan flutes made precisely with human bones and whose function is to retrieve the dead. I realize that the instrument may not have the characteristics of perfection they have reached your tools? But I'm sure the sound that you can give will serve the task I have set. A lot of things I think is better to talk to your voice but still look new.










Tuesday, January 4, 2011

Brunswick Birthday Party

Conservatory of Vicenza

MANDALA
Indian Classical Music and Dance


"Music Saturdays"
Concert Hall of the Conservatory of Vicenza

Saturday, February 19, 2011 Time: 17h
Dhrupad Singing: Raag Bageshri
Song: Giorgia Zaggia,
Table: Vito de Lorenzi

Kathak, "Guru Vandana" Tala Tental Raag Bilaval
Dance: Valentina Affatato
Song: Barbara Zoletto Tabla: Vito de Lorenzi

Bansuri: Raga Tala Khammaj in Tintal
Bansuri: Achilles Crosignani, Alessio Artoni, Sorato Angelo, Jacopo Pacific
Michael Novello
Tabla: Andrea Pozan

Tabla Ensemble
Tabla: Vincenzo Cantatore, Vito de Lorenzi, Andrea Pozzan, Ramon Rodriguez Gomez,

Sarod: Ragg in Yaman Tala: Tintal
Sarod: Andrea Potami
Table: Andrea Pozza

Bharatanatyam Dance: "Kertanam Gajavadana" in Raag Hamsadwani, Adhi Tala, "Alarippu" in Tala: Eka, Raag: Mishra,
Song: Patrizia Saterini, Barbara Zoletto, Margherita Zoni
Table: Andrea Pozzan
Bansuri: Alessandro Coccia
Dance: Deligia Anna, Carla Bird, Claire, Laura and Letizia Tomelleri


1 School of Singing by Professor Amelia Cuni
Bansuri 2 School of prof. Lorenzo Squillari
3. School of Tabla and ensemble music prof. Federico Sanesi.
4. Professor School of Sarod. Riccardo Battaglia
5. School of Kathak Dance of Prof. Rosella Fanelli
6. Bharatanatyam Dance School of Prof. Nuria Sala Grau
7. Sitar School of prof. Guido Schiraldi